THE MOdernity

mo•der•ni•ty  (mo dûr′ni tē, mō-), n., pl.  -ties. 

1. the quality of being modern.
2. something modern.

(modern + -ity, originating 1620–30)

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The Modernity is an experiment in abstraction of prose, image, audio, and video. There is no purpose or story, but there is an exploration of ambiguity and meaning. Narrative is present. Poetry is present. Imagery in tone is present. Audio explorations are present. But there is no central reason for any of them, as they are evidence of an action thought about in retrospect, the piece conceived in the doing and not in the formulaic manner of narrative.

The Modernity is a testament to the current and a call to the future, without mistaking the past as anything but material with which to work, knowing, as each creative hand passes over the word, it becomes a relic of the past meant for manipulation and inspiration. Truth does not lie in that which was created. Truth lies in the present action and the future speculation. The intersection of the two is the audience's experience in the present with the work. If there is truth therein, it cannot be contained and cannot be communicated. It rests in the perfect sphere of itself.